New in v0.6.10 — Fixed: reaction cuts (head nods, interjections) sit exactly on the reaction again

The rough cut,
on autopilot.

MultiCamCutter

MultiCamCutter turns your camera clips and mic tracks into an editable AAF timeline — synced, cut to whoever's speaking, with reaction cuts and trimmed pauses. Assembled exactly the way you cut.

Free up to 30 minApple Silicon100% local

Cuts on reactions

Nods and laughs are spotted in the picture and edited in — human pacing, not a loudest-mic switch.

nod → cut

Synced on its own

Every camera and mic is aligned by audio-waveform matching. No clapper, no manual line-up.

sync

Tuned to how you cut

Shot lengths, reaction feel, pauses, cutaways — every parameter is yours to shape.

Min shot
2.3 s
Reaction
1.7 s
Cutaways
round-robin
Assembled timeline
Hands the timeline to your editor
Premiere ProDaVinci ResolveAvid

How it works

A folder in. A finished cut out.

01

Point it at a folder

Drop in your camera clips and one mic track per person. That's how it knows who's speaking.

02

It assembles the cut

Sync, speaker detection, reaction cuts, pause trims and cutaways — all to your parameters.

03

Finish in your editor

Export the AAF and do the creative fine-tuning in Premiere Pro, DaVinci Resolve or Avid.

Everything the rough cut needs, nothing it doesn't.

Automatic conversation cut

Point it at your footage and it assembles the whole rough cut — cutting to whoever's speaking, trimming pauses and loosening long takes with cutaways.

Automatic sync

Every camera and microphone is aligned automatically by audio-waveform matching. No clapperboard, no manual line-up.

100% local & offline

Nothing is uploaded. Your footage never leaves your Mac — no cloud, no waiting, and real privacy for sensitive conversations.

Folder in, AAF out

No editor lock-in. MultiCamCutter exports a non-destructive AAF timeline you fine-tune in Premiere Pro, DaVinci Resolve, Avid or any AAF-capable editor.

Built for podcasts & interviews

Purpose-built for multi-person conversations — host, guests and wide shot — not a generic multicam tool bent onto a talk format.

Always up to date

MultiCamCutter checks for updates automatically and flags new versions — detection improvements and presets install with a click, no manual reinstall.

Questions, answered.

Which editor do I use the result in?

MultiCamCutter exports a non-destructive AAF timeline — an edit list, not a rendered video. You open it in Premiere Pro, DaVinci Resolve, Avid or any AAF-capable editor and do the creative fine-tuning there.

Is there a free version?

Yes. The Free tier has the full feature set, but the longest source file is capped at 30 minutes. Without a license the app runs in the Free tier right away — no credit card required. For longer recordings, subscribe to Pro.

Does my footage get uploaded anywhere?

No. Everything runs 100% locally on your Mac — no cloud, no upload, no waiting. Your material never leaves the machine, which keeps even sensitive conversations private.

What happens when my subscription ends — and does the app update itself?

When a subscription ends, the app falls back to the Free tier (30-minute limit) — you keep working, nothing is deleted. And on updates: MultiCamCutter checks for new versions automatically and lets you know as soon as one is ready — you then install it with a single click.

Download

Free on your Mac in a minute.

Runs in the Free tier right away — no account, no card. Source files up to 30 minutes.

Download for macOS

v0.6.10 · macOS · Apple Silicon · 385 MB

  • macOS 14 Sonoma or later
  • Mac with Apple Silicon (M1 or newer)
  • A separate microphone track per person (lavalier / individual mics)
  • An AAF-capable editor for the final cut (e.g. Premiere Pro)
Latest · v0.6.10Jul 27, 2026

Fixed: reaction cuts (head nods, interjections) sit exactly on the reaction again

In some recordings, part of the reaction cuts — head nods especially — were placed only after the reaction was already over, so the cut landed on a motionless person. The cause was the image-recognition filter ("move unsuitable cutaways"), which in rare cases wrongly shifted those moments. Reaction cuts are no longer shifted by it — they stay exactly on the detected moment. The filter stays active for camera switches during long passages, and is a little more conservative overall.

Fixed: occasional single-frame fragments in the timeline

In a few spots, tiny fragments could remain between two cuts — a brief flash of the base camera. These are now removed reliably.

Full changelog

Stop assembling the rough cut. Start editing.